The 25 Best Crime Podcasts (2026)

Phoebe Judge has one of the most calming voices in podcasting, which is a strange thing to say about a show that tells stories involving bank robbers, con artists, and murder defendants. But that contrast is exactly what makes Criminal work so well. Since 2014, Judge and her team have been producing tightly edited, deeply human stories about people who have done wrong, been wronged, or found themselves somewhere in between. It is true crime with the sensationalism stripped out and the humanity turned up.

Episodes usually run 25 to 35 minutes, which makes the show genuinely perfect for a car ride. You can knock out a full story on the way to work and arrive feeling like you actually learned something. The writing is careful, the interviews are patient, and Judge never rushes a moment that deserves to breathe. One episode might cover a 1970s airplane hijacking, the next a woman who raised a chimpanzee as her son, the next a small-town sheriff with a secret. The range is wide but the tone stays consistent.

With nearly 300 episodes in the catalog and a devoted following, Criminal has become a template for how thoughtful true crime can sound. It holds a 4.7-star rating from over 30,000 Apple Podcasts reviews. The Radiotopia production values are excellent, with original music from Blue Dot Sessions giving each episode a cinematic quality without ever pulling focus from the story. For drivers, the episode length is the killer feature, and Judge's voice is the audio equivalent of a good cup of coffee on a quiet morning.

Crime Junkie is the true crime podcast that became a phenomenon, and its audience skews heavily female for good reason. Host Ashley Flowers does the deep research -- combing through court records, interviewing families, tracking down leads -- and then presents each case to co-host Brit Prawat in a conversational storytelling format. It feels like your friend telling you about a case she's been obsessing over, except your friend is a meticulous investigator.

New episodes drop every Monday, running anywhere from 28 minutes to over 90 minutes depending on the case. The show covers cold cases, missing persons, and underreported crimes that often don't get mainstream media attention. Some of their most compelling episodes have actually helped generate new leads in real investigations, and Ashley has become a genuine advocate for victims' families. With nearly 500 episodes, a 4.7-star rating from an astonishing 361,000+ reviews, Crime Junkie sits at the top of true crime podcasting for a reason. The pacing is tight, the research is thorough, and Ashley knows exactly when to let a detail land without over-explaining it. Recent standout episodes include deep investigations like the Rachel Hansen case and a lengthy interview with Elizabeth Smart. If you've ever stayed up past midnight reading about an unsolved case, this podcast was made for you.

Serial changed what people thought a podcast could be. Produced by Serial Productions and The New York Times, each season takes a single story and reports it out over the course of multiple episodes, building tension and revealing new details with every installment. The first season famously reexamined a 1999 murder case in Baltimore, but the show has since covered everything from a prisoner of war controversy to institutional failures in a university hospital system. The pacing is deliberate and the research is thorough, which makes it genuinely absorbing during long stretches of highway. Teens who are old enough for serious journalism will find themselves leaning in, and the cliffhanger structure of each episode means nobody in the car will want to stop listening when you pull into a rest stop. Serial has won a Peabody Award and is widely credited with launching the modern podcast boom. With over a dozen seasons in the archive now, there is plenty of material to fill multiple road trips. The storytelling strikes a careful balance between accessibility and depth, making it easy for the whole family to follow along even if some members are hearing the story for the first time. Parents and teens alike tend to come away with strong opinions, which makes for lively conversation once the episode ends and the car goes quiet.

Dateline NBC has been a staple of investigative journalism on television since 1992, and the podcast version brings that same meticulous reporting into your earbuds. Hosted by Lester Holt and featuring correspondents like Andrea Canning and Keith Morrison (whose voice alone could narrate your grocery list and make it sound sinister), the show covers everything from cold cases to wrongful convictions to high-profile murder investigations.

With over 800 episodes and counting, there is a staggering amount of content here. New episodes drop daily, which means you will never run out of material. The format varies -- some episodes are standalone deep-dives into a single case, while others are multi-part series like "Murder & Magnolias" or "The Girl in the Blue Mustang" that unfold over several installments. There are also "Talking Dateline" episodes where producers and correspondents revisit old cases and share behind-the-scenes details about how stories came together.

What sets Dateline apart from indie true crime podcasts is the sheer production muscle behind it. NBC's resources mean real interviews with law enforcement, families, and sometimes even the accused. The reporting feels grounded and responsible rather than sensationalized. It sits at a 4.4-star rating from nearly 40,000 reviews on Apple Podcasts. If you grew up watching Dateline on Friday nights, the podcast is a natural extension of that experience. And if you didn't, it is still one of the most reliable sources of well-researched true crime storytelling out there.

Sword and Scale is not for the faint of heart. Hosted by Mike Boudet since 2014, this weekly podcast earned its reputation by incorporating raw, unfiltered audio — actual 911 calls, courtroom recordings, police interrogations, and victim interviews — directly into its episodes. The effect is visceral in a way that straight narration simply cannot replicate.

With 350 episodes covering murders, abductions, and disturbing criminal cases, the show leans hard into the darkest corners of human behavior. Mike's commentary style is dry and measured, letting the audio evidence do most of the emotional heavy lifting. The production quality is high, and episodes are structured to build tension methodically, often saving the most jarring material for moments of maximum impact.

The show has a complicated legacy. It holds a 4.0-star rating across an enormous 60,000+ reviews, which tells you it generates strong feelings in both directions. Some listeners consider it one of the most gripping true crime shows ever produced. Others have taken issue with the host's social media presence and public controversies that have followed the show over the years. Love it or not, Sword and Scale has been influential in shaping what modern true crime podcasts sound like. The spinoff shows Nightmares and Monstruo explore adjacent territory — bedtime crime stories and international extreme cases, respectively — for listeners who want even more.

Nancy Grace doesn't do subtlety, and honestly, that's the whole appeal. The former prosecutor turned media personality brings the same fiery, opinionated energy to her podcast that made her a cable news fixture for years. Crime Stories drops daily — sometimes multiple times a day for breaking cases — making it one of the most frequently updated true crime shows available.

The format typically features Nancy walking through a case with rotating panels of expert guests: defense attorneys, forensic psychologists, investigators, and medical examiners. She asks pointed questions, pushes back on answers she disagrees with, and isn't shy about sharing her own take on guilt or innocence. Episode lengths vary wildly, from quick six-minute news alerts to full 50-minute investigations, which makes the roughly 2,000-episode archive feel even bigger than it already is.

Nancy's background as a prosecutor in Atlanta gives her a particular lens on these cases. She tends to focus on victims' rights and holds a clear prosecutorial perspective that her fans appreciate and her critics find one-sided. With a 4.2-star rating from about 7,800 reviews, the show sits in that polarizing space where people either love the directness or find it grating. There's no middle ground with Nancy Grace, and the podcast doesn't pretend otherwise. If you want measured, neutral analysis, look elsewhere. If you want someone who will get genuinely angry about injustice and isn't afraid to name names, this is your show.

Casefile True Crime has been the gold standard for mystery and crime podcasting since its debut in 2016. The host remains anonymous by choice, and that decision shapes the entire show -- there is no personality cult here, just meticulously researched cases presented with the kind of discipline most podcasts cannot match. Across 481 episodes, the show has covered everything from small-town disappearances to international crime rings, always drawing from original police records, court transcripts, and media archives. The narration is fully scripted, which gives each episode a polished, almost documentary quality. Episodes run anywhere from 30 minutes to over 90 for multi-part cases, and they release weekly with the occasional bonus installment. The anonymous host is Australian, and the show started with Australian cases before expanding globally. That international scope is one of its real strengths -- you will hear about crimes from Japan, Scandinavia, South America, and places that rarely show up on American-centric podcasts. The production team includes dedicated researchers and writers like Milly Raso and Elsha McGill, with Mike Migas handling production and music. The show carries a 4.7-star rating from nearly 33,000 reviews on Apple Podcasts, which puts it in rare company. A Casefile Premium subscription offers ad-free episodes a week early, plus the companion show Behind the Files. If you want your mysteries told straight, without banter or filler, this is the benchmark.

Aaron and Justin have been running Generation Why since 2012, making it one of the longest-running true crime podcasts still in production. Their JonBenet Ramsey episode is frequently cited as one of the best single-episode treatments of the case, and it is easy to hear why. The two hosts lay out the facts, then spend real time debating their own theories back and forth. It never feels scripted.

The format works because Aaron and Justin genuinely disagree sometimes. When they cover JonBenet, you get two perspectives tested against each other in real time, not just one narrator walking you through a predetermined conclusion. They examine the physical evidence, the family dynamics, the police investigation, and the media coverage, and they are not afraid to say when something does not add up or when they are genuinely unsure.

With 745 episodes and a 4.5-star rating from nearly 17,000 reviews, Generation Why has built a reputation for being thorough without being sensational. Listeners consistently praise them for exploring all angles rather than pushing a single theory. Episodes typically run 40 to 60 minutes, which gives them enough space to cover a case properly without padding things out. The conversational style between two longtime friends keeps it engaging even when the subject matter gets grim. If you want a balanced, discussion-driven take on the Ramsey case from experienced true crime hosts, this is a strong pick.

48 Hours takes the CBS News investigative television show that's been running since 1988 and packages it for podcast listeners. The result is professional, resource-heavy crime journalism that smaller independent podcasts simply can't match in terms of access and production value. With nearly 1,000 episodes in the archive, the sheer scale of content is staggering.

The show features a team of veteran correspondents — Erin Moriarty, Peter Van Sant, Richard Schlesinger, and others — each bringing decades of broadcast journalism experience. The podcast includes a companion series called Post Mortem, hosted by Anne-Marie Green, which offers extended discussions about the week's featured cases. New episodes arrive multiple times per week, mixing fresh investigations with classic episodes from the television show's long history.

What 48 Hours does particularly well is access. CBS correspondents can get interviews and case materials that podcasters working from their home studios cannot. Court documents, law enforcement officials, family members, and sometimes even suspects — the show regularly features primary sources that add layers of credibility to the reporting.

The 4.1-star average from about 7,400 ratings is on the lower end for this category, partly because the television-to-podcast format doesn't always translate perfectly. Some episodes feel more like audio versions of TV segments than native podcast content. Still, for anyone who appreciates traditional investigative journalism applied to criminal cases, 48 Hours delivers a depth of reporting that's hard to find elsewhere.

Court Junkie is the podcast for people who are genuinely fascinated by the legal system and want to hear what actually happens inside courtrooms. Host Jillian Jalali — known to her audience as JJ — doesn't just read about cases from news reports. She digs into court documents, attends trials in person, and conducts her own interviews with people connected to the cases she covers.

The show focuses heavily on the trial process itself, incorporating real courtroom audio — opening statements, witness testimony, cross-examinations, and verdict readings. This gives episodes a documentary feel that sets Court Junkie apart from podcasts that rely mainly on secondhand accounts. JJ's narration ties everything together with clear, well-researched context about the legal proceedings and the people involved.

With 376 episodes released weekly, the archive covers a wide range of cases: wrongful convictions, cold cases finally going to trial, and high-profile murder prosecutions. The 4.8-star rating from over 8,100 reviews makes it one of the highest-rated true crime podcasts on Apple Podcasts, which is a testament to JJ's dedication to thorough, responsible reporting.

The main critique from some listeners is that courtroom audio segments can run long, and the show has picked up more advertising spots over the years. But those are minor quibbles for a podcast that takes its subject matter this seriously. If you've ever found yourself watching Court TV and wishing someone would give you the full context behind the clips, Court Junkie is exactly what you're looking for.

Wrongful Conviction takes a fundamentally different approach to true crime. Instead of asking "who did it," this podcast sits down with people who were convicted of crimes they say they didn't commit — and in many cases, have since been exonerated. The interviews are intimate, often emotional, and paint a picture of the criminal justice system that most true crime shows don't touch.

Jason Flom, a founding board member of the Innocence Project and longtime criminal justice reform advocate, is the primary host. He's joined by co-hosts Maggie Freleng and Lauren Bright Pacheco, both accomplished journalists in their own right. Together they've produced 582 episodes covering exonerations, death row cases, and ongoing fights for freedom. New episodes come out two to three times per week, keeping a pace that matches the scale of wrongful conviction cases across the country.

The format is interview-driven — you'll hear directly from exonerees describing what it was like to spend ten, twenty, sometimes thirty years behind bars for something they didn't do. Lawyers, investigators, and advocates also appear regularly. Episodes typically run 30 to 55 minutes.

The 4.4-star rating from about 5,500 reviews reflects broad appreciation, though some listeners note that the show presents a one-sided perspective by design. That's a fair observation, but it's also the point. Wrongful Conviction exists to amplify voices that the system silenced, and it does that job with conviction and compassion. It's essential listening for anyone who cares about justice reform.

Alaina Urquhart works as an autopsy technician. Ash Kelley is a hairstylist. Together, they created Morbid in 2018 and it has since become one of the most popular mystery and true crime podcasts anywhere, with 848 episodes and a staggering 97,000-plus reviews on Apple Podcasts. The show blends true crime deep dives, creepy history, and paranormal investigations with a conversational dynamic that feels like eavesdropping on two friends who happen to be obsessed with the macabre. Alaina brings forensic knowledge from her day job, which adds a level of detail you simply will not get from hosts without that background. Ash provides humor and emotional reactions that keep episodes from becoming clinical. They release new episodes twice a week, covering everything from notorious serial killers to haunted locations to historical oddities. The tone is explicitly casual -- they joke around, go on tangents, and bring genuine personality to dark subject matter. That approach has drawn some criticism from listeners who prefer a more serious treatment, and the show's 4.4-star average reflects that divide. But the massive audience speaks for itself. Recent episodes have covered topics like the Perron family haunting and various cold case deep dives. The show is now distributed through SiriusXM Podcasts, with a premium subscription offering ad-free access. If you like your mysteries served with a side of dark humor and real chemistry between hosts, Morbid delivers consistently.

My Favorite Murder essentially created the true crime comedy genre when Karen Kilgariff and Georgia Hardstark started recording in 2016. The concept is simple: two friends sit down, each tells the other about a murder or crime that fascinates them, and they react in real time with a mix of horror, humor, and genuine empathy. It sounds like it shouldn't work, but over 1,100 episodes and 170,000 Apple Podcasts ratings later, the formula clearly resonates.

Karen is a comedian and writer, Georgia a television personality, and their dynamic feels genuinely unscripted. They go on tangents about their personal lives, their cats, their therapy sessions — and then pivot seamlessly into the details of a serial killer case. The phrase "Stay Sexy and Don't Get Murdered" became a cultural catchphrase and the title of their bestselling book.

The show spawned the Exactly Right podcast network, which now produces dozens of shows across true crime, comedy, and pop culture. MFM itself releases episodes twice a week, including full-length episodes and "minisodes" featuring listener-submitted hometown crime stories. The community aspect — the "Murderino" fanbase — has become its own phenomenon with local meetup groups and fan conventions.

At a 4.6-star rating, the show maintains strong audience support despite being nearly a decade old. The early episodes are looser and rougher around the edges, while recent seasons feature tighter production and more researched cases. It's not for purists who want strict factual reporting, but for people who want to process dark subject matter with humor and humanity, MFM practically invented the space.

Ear Hustle started inside San Quentin State Prison, co-created by Earlonne Woods, who was serving a sentence there, and Nigel Poor, who was volunteering as a photography instructor. The show tells stories about daily life behind bars -- not the dramatized version you see on TV, but the mundane reality of sharing a cell, cooking with a hot pot, missing your kids, and figuring out how to fill a 23-hour day. Woods was released from prison in 2018 after Governor Jerry Brown commuted his sentence, and the show expanded to include stories from the California Institution for Women and from people rebuilding their lives after release. Episodes run about 40 minutes and arrive biweekly. The production quality is exceptional for a show that began with limited resources, and it earned a spot on Radiotopia, one of the most respected podcast networks around. With 215 episodes, a 4.9-star rating from over 20,000 reviews, and multiple award nominations, Ear Hustle has become one of the highest-rated documentary podcasts on any platform. The conversations are honest and frequently funny in ways that catch you off guard. Recent episodes have covered reconnecting with incarcerated parents and navigating relationships across prison walls. It teaches you things about the American prison system that no news article can, because you hear it directly from the people living it.

Court TV Podcast brings the revived Court TV network's courtroom coverage to the podcast format, offering weekly episodes that break down the biggest trials making headlines. The show operates as an umbrella for several distinct series — Vinnie Politan Investigates, Closing Arguments with Seema Iyer, and Opening Statements with Julie Grant — each tackling cases from a different angle.

Vinnie Politan, the primary host and a former prosecutor himself, anchors the podcast with experienced legal analysis. He walks through trial proceedings with a prosecutor's eye, breaking down witness testimony, legal strategy, and courtroom dynamics in ways that are genuinely educational. Seema Iyer and Julia Jenae round out the hosting team, bringing their own legal and journalistic perspectives.

With 300 episodes covering real-time trial proceedings, the show fills a specific niche: it's essentially Court TV commentary in audio form. Recent episodes have covered high-profile cases including mansion murders, abduction trials, and cold case prosecutions. Episodes run about 45 minutes and feature discussion-style analysis rather than pure narrative storytelling.

The 4.3-star rating from about 1,050 reviews is modest compared to the giants of the genre, and listener feedback suggests the quality varies significantly depending on which host is leading a given episode. Some segments land better than others. But for people who follow active trials and want informed legal commentary without having to watch live television coverage, Court TV Podcast fills that gap. It's particularly useful during major trials when you want analysis from people who actually understand courtroom procedure.

Kendall Rae built a massive following on YouTube covering true crime cases, and her podcast takes that same empathetic, victim-centered approach to audio. With 276 episodes and a semiweekly release schedule, the show has grown quickly since launching in 2022, pulling in a 4.6-star rating from nearly 6,000 reviews on Apple Podcasts.

What makes Kendall stand out in a crowded field is her genuine commitment to advocacy. She does not just recount the details of a case and move on. She actively works with the families of victims, raises money for related causes, and uses her platform to bring attention to cases that have gone cold or received minimal media coverage. It gives the show a sense of purpose that goes beyond entertainment.

Each episode runs between 40 minutes and over an hour, with Kendall narrating solo in a calm, measured tone that never feels sensationalized. She covers everything from high-profile murders to lesser-known disappearances, and her research is thorough enough that even listeners familiar with a case usually learn something new. The production through Mile Higher Media and Audioboom Studios is clean, though listeners consistently mention that the ad load can be heavy.

Her background as a content creator means she knows how to hold attention and pace a story. She does not rush through facts or pad episodes with filler. If you appreciate true crime coverage that treats victims as people rather than plot points, and you want a host who genuinely cares about the outcomes of the cases she covers, this is one of the more thoughtful options in the genre right now.

Courtney Shannon and Colin Browen come to Murder In America from The Paranormal Files, a YouTube channel with close to a million subscribers, and you can hear the on-camera experience in the way they pace episodes. The hook is simple and it works: every episode picks a state, then picks a case from that state, and they actually travel to a lot of the locations they cover. The result is true crime that feels more like a road trip than a studio recording. Since 2021 they've put out over 230 episodes and the show sits at a 4.8 rating across more than 8,000 reviews, which is the kind of number you don't fake. Colin handles most of the heavy narrative lifting while Courtney pushes back with questions a listener might actually have, and the dynamic keeps things from drifting into monologue territory. They're respectful about victims without getting preachy about it, and the paranormal background occasionally surfaces when a case has unexplained elements, which is a nice change of pace from shows that treat everything like a courtroom transcript. New episodes drop Fridays. The bonus material lives on Patreon if you want to support them directly. Worth adding to your rotation if you like your true crime with a sense of place, a real co-host chemistry, and hosts who've clearly been doing this long enough to know what they're doing.

The Deck comes from Ashley Flowers, the same host behind Crime Junkie, but it fills a very different niche. The concept is built around a real law enforcement tool: decks of playing cards printed with photos and information about unsolved homicides and missing persons, distributed in prisons in hopes that inmates might recognize someone or remember something useful. Each episode takes one card, one person, and tells their story.

That framework gives the show a focused, almost methodical quality. With 224 episodes and weekly releases since 2022, Ashley has built a substantial catalog of cold cases from across the country. Episodes are tightly produced by Audiochuck, running around 30 to 40 minutes, and each one includes direct collaboration with investigators and family members connected to the case.

The playing card designation for each episode -- Ace of Hearts, Nine of Diamonds, and so on -- is more than a gimmick. It reflects the reality that these are real people reduced to cards in a deck, and the show treats each one with the seriousness they deserve. The narration is straightforward and research-heavy, without the conversational back-and-forth of Crime Junkie.

The 4.6-star average from over 10,000 ratings shows the audience has responded strongly. The show is particularly good at surfacing cases from smaller communities that rarely make national headlines -- Colorado mountain towns, rural Iowa, Virginia suburbs. If you find yourself drawn to cold cases and want something that consistently highlights victims who have been forgotten by mainstream media, The Deck is one of the more purposeful true crime podcasts out there.

True Crime Obsessed takes true crime documentaries and turns them into something you would actually want to watch with your funniest friends. Hosts Gillian Pensavalle and Patrick Hinds recap docs with what they call humor, sass, and heart -- and Vulture once noted the show was so funny it nearly caused a listener to crash their car. That is the vibe.

The format is simple but effective: Gillian and Patrick watch a true crime documentary, then sit down to recap it scene by scene, reacting to the evidence, the suspects, the investigators, and the production choices. Their chemistry is sharp and natural, built on a friendship that started long before the podcast launched in 2017. Nearly 600 episodes later, the catalog is enormous, covering everything from Netflix originals to obscure festival docs.

The show has a 4.2-star rating from an impressive 34,700 reviews, which reflects a passionate but somewhat divided audience. Loyal fans adore the personality-driven format and consider Gillian and Patrick essential viewing companions for any crime documentary. Some listeners have noted that the show has drifted toward more personal commentary and less crime content in recent years.

True Crime Obsessed spawned the Obsessed Network, and the hosts have expanded to YouTube with full video episodes. They also run an active Patreon with over 400 bonus ad-free episodes and virtual events for subscribers. It fills a specific gap: if you already watch true crime documentaries and want two genuinely entertaining people to process them with afterward, this is that show.

Bone Valley is the kind of podcast that makes you genuinely angry about the justice system. Produced by Lava for Good -- the same team behind Wrongful Conviction -- this serialized docuseries dedicates each season to a single wrongful conviction case, and the depth of reporting is staggering. Four seasons in, with 121 episodes, and a 4.9-star rating from nearly 5,000 reviews, it has quietly become one of the most acclaimed true crime podcasts available.

Season one hooked listeners with the story of Leo Schofield, convicted of murdering his wife Michelle in Lakeland, Florida. The twist came when DNA evidence pointed to a different man entirely -- Jeremy Scott -- whose own story became the focus of season two. Season three moved to Graves County, Kentucky, investigating an unsolved murder, while season four tells the story of Toforest Johnson, who spent 25 years on death row despite being four miles from the crime scene when it happened.

The show rotates hosts across seasons. Pulitzer Prize-winning author Gilbert King led the first two, journalist Maggie Freleng took season three, and Beth Shelburne anchors the current season. Each brings a distinct reporting style, but the throughline is meticulous, patient journalism that builds its case over hours of carefully layered evidence.

Bone Valley demands commitment. These are not standalone episodes you can dip into randomly. Each season is a single narrative arc that rewards listening from start to finish. The pacing is deliberate, sometimes frustratingly so, and some listeners have noted that musical interludes can interrupt the flow. But when the evidence clicks into place across multiple episodes, the impact is powerful in a way that few podcasts in any genre can match.

Nic and the Captain have been cracking beers and talking about unsolved murders since 2015, and honestly, the format hasn't changed much, which is part of the charm. Each week they pick a case (sometimes stretched over two or three episodes), crack open a craft beer they rate and review, and walk through what's known. The appeal is less about breaking new ground and more about hanging out with two friends who've clearly done their homework. Nic handles most of the narrative heavy lifting while the Captain interjects with questions, theories, and the occasional bad joke. They're not journalists, they're not pretending to be, and they're refreshingly upfront about that. Cases range from well-known names like the West Memphis Three to obscure regional mysteries that barely made local news. Episodes usually run around an hour, with a loose, conversational rhythm that makes long drives disappear. The beer reviews are a quirky but genuine part of the show, usually featured at the top before things turn grim. With over a thousand episodes in the archive, newcomers have plenty to chew on, and the back catalog holds up. It's comfort listening for the true crime crowd, even when the subject matter is anything but comfortable.

Andrea Canning, a familiar voice from the TV show, hosts this weekly spinoff that keeps you caught up on the cases Dateline has been following. It's part news roundup, part behind-the-scenes look at how the team reports stories. A typical episode runs 30 to 45 minutes and covers two or three items: a trial verdict from earlier in the week, a missing persons update, an interview with one of the show's correspondents about how they chased down a lead. If you're already a Dateline watcher, it's a natural companion, filling in gaps between the Friday night episodes and adding context that doesn't fit on TV. For newcomers it works fine as a standalone, though the references to past cases can occasionally feel like inside baseball. The production is polished in that NBC News way: clean audio, professional interviewing, no rough edges. Canning is warm without being saccharine, and she clearly knows the beat. Launched in 2024, it's quickly become one of the more consistent weekly true crime shows, partly because it has the full weight of NBC's news-gathering machine behind it. Solid, reliable, and a good way to stay current without sifting through dozens of one-off cases from smaller independent producers.

Paula Barros resurrects the A&E television classic and gives it a second life in audio form. The show digs into cases that sat dormant for years, sometimes decades, before new evidence, renewed DNA testing, or a dogged detective finally pushed them toward resolution. Each episode focuses on a single case and follows it from the original crime through the long stretch of dead ends and into whatever breakthrough eventually came. What works about the show is the pacing: Barros doesn't rush, but she also doesn't pad. You get enough detail about the victims to feel their absence, enough about the investigators to understand the frustration of working a case that keeps slipping away, and enough forensic context to appreciate why some cases took so long to crack. Episodes run 30 to 50 minutes, tight enough for a commute. The archive includes cases from across the US, some famous and some that never made national headlines. It's a little more procedural than emotional, which will either be exactly what you want or feel a touch clinical depending on your taste. Either way, the A&E brand brings production values that match its TV origins, and Barros is a competent, unshowy host. A reliable pick for the cold case subgenre.

ABC News has been running 20/20 on television since 1978, and the podcast gives the audio treatment to the show's long-form investigative segments. These are mostly true crime stories, though the occasional medical mystery or consumer expose still sneaks in. Each episode pulls from a recent broadcast, meaning you get David Muir, Deborah Roberts, and other ABC correspondents walking through cases they've spent months reporting. The production is glossy in the way you'd expect from a network news operation: crisp editing, interviews with investigators and family members, court audio where available. Episodes typically run 40 minutes to an hour, sometimes longer for cases that filled a two-hour TV special. Because it's drawn from the broadcast, the storytelling leans dramatic, with stingers and musical cues you might find heavy-handed if you prefer stripped-down journalism. But the access is the draw: ABC lands interviews that smaller shows can't, and the correspondents have actually sat across from the people involved. Recent episodes have covered high-profile trials and long-running mysteries the network has been tracking for years. If you already watch 20/20 on Friday nights, the podcast is an easy companion. A solid entry point to network-style investigative journalism in audio form.