The 15 Best Visual Artists Podcasts (2026)

Antrese Wood has been running Savvy Painter since 2014, and with over 370 episodes under her belt, she has built one of the most trusted resources for working painters. The show bounces between solo episodes where Antrese shares hard-won insights about creative mindset and longer roundtable conversations with members of her Growth Studio community. What sets this apart from other art podcasts is how much time Antrese spends on the psychological side of making art. She gets into perfectionism, self-doubt, pricing anxiety, and the weird emotional rollercoaster of putting your work out there. One recurring thread involves Emotional Freedom Technique (tapping), which she uses with a coach named Melanie Fay to help artists push through blocks. It sounds unusual, but listeners swear by it. Episodes run anywhere from 25 minutes for focused solo talks to over an hour for the group discussions. The production is clean and straightforward -- no flashy intros, just Antrese getting right into it. She has a calm, encouraging presence that never tips into toxic positivity. When she talks about mastery over perfection, she actually means it and backs it up with specific strategies. The community aspect is a big draw too. You can tell the Growth Studio members genuinely support each other, and those roundtable episodes feel like eavesdropping on a really thoughtful studio critique session. If you paint seriously and want a podcast that treats the mental game with as much respect as the technical one, this is your show. Rated 4.8 stars from nearly 900 reviews on Apple Podcasts.

If you make pictures for a living -- or want to -- 3 Point Perspective is the podcast that actually talks about the business realities of illustration without sugarcoating anything. Hosted by Lee White, Jake Parker, Samantha Cotterill, and Anthony Wheeler through SVSlearn.com, the show runs as a panel discussion where working illustrators hash out topics like portfolio building, navigating conferences like SCBWI, marketing yourself as a freelancer, and making a sustainable career when AI is changing everything. With nearly 300 episodes released biweekly, the archive is massive. Episodes typically run an hour to 75 minutes, and the conversation stays loose and honest. These are people who have built real careers in children's books, editorial illustration, and concept art, and they are not shy about sharing their failures alongside their wins. Recent episodes have tackled picture book trends, chronic illness and creative sustainability, and what actually happens at New York Comic Con from a professional standpoint. The panel format keeps things dynamic -- when Jake and Lee disagree on something, the debate is genuinely useful because you get multiple professional perspectives instead of one guru's opinion. They also bring in guest illustrators like Claudia Rueda for specific deep-dives. Rated 4.8 stars with over 730 ratings. It is one of the highest-rated illustration podcasts on Apple Podcasts, and the SVSlearn community behind it adds an extra layer of educational depth that most interview shows cannot match.

Andy J. Pizza is a New York Times bestselling illustrator who has been putting out Creative Pep Talk weekly for over 500 episodes, and the show has become something of an institution in the creative community. The format alternates between solo episodes where Andy riffs on a creative challenge -- fear of making work, developing a point of view, setting goals that actually stick -- and interviews with heavy hitters like Mac Barnett, Jon Klassen, and filmmaker Seth Worley. Andy has this particular talent for making abstract creative problems feel concrete and actionable. He will take something like "I don't know what my style is" and break it down into steps you can actually follow, all delivered with genuine enthusiasm that never feels performative. Episodes range wildly in length, from quick two-minute pep talks to nearly two-hour deep conversations. Most land around 40 to 55 minutes, which is a solid commute listen. The show leans into neurodivergent creative practices too, which is refreshing in a space that often defaults to rigid productivity frameworks. Andy openly discusses how his brain works differently and how that shapes his approach to illustration and storytelling. With nearly 2,000 ratings averaging 4.8 stars, this has earned its reputation through consistency and real substance. If you are an illustrator, designer, or visual creative who needs a weekly shot of honest creative motivation backed by actual professional experience, this is it.

Jennifer Dasal has a gift for making art history feel like a thriller. ArtCurious takes the weird, scandalous, and mysterious corners of the art world and turns them into stories you genuinely cannot stop listening to. Over 227 episodes, she has covered everything from the volatile relationship between Frida Kahlo and Diego Rivera to the surreal world of Leonora Carrington, plus deep-dives into Marina Abramovic's performances and lesser-known women artists who got written out of the textbooks. Episodes run a tight 20 to 30 minutes for the narrative ones, stretching to 40 minutes when she interviews authors about their new art books. That shorter format is a big part of what makes the show work -- Jennifer packs in genuine research and surprising details without ever dragging. Her most recent project includes a book called "The Club" about American women artists in Belle Epoque Paris, and the podcast episodes exploring those same themes are some of her best. She also does virtual gallery tours of places like Mexico City's art museums, which is a nice change of pace from the usual format. Rated 4.8 stars from over 800 reviews. If you love visual art but find most art history content dry or overly academic, ArtCurious is the antidote. Jennifer treats the subject with real scholarly rigor while making it genuinely entertaining -- a combination that is harder to pull off than it sounds.

Katy Hessel wrote "The Story of Art Without Men," and her podcast is the audio companion to that mission. Over 171 episodes, she has built a remarkable archive of conversations celebrating women who shaped visual culture -- from 19th-century photographer Julia Margaret Cameron to contemporary artists like Lorna Simpson and Sally Mann. The format is straightforward interview-based, typically running 40 to 50 minutes, with Katy talking to the artists themselves or to curators and writers who champion their work. What makes this stand out is Katy's depth of knowledge paired with genuine curiosity. She does not just ask artists to describe their process; she places their work in historical context, drawing connections between a living sculptor and a German Expressionist like Gabriele Munter in ways that feel illuminating rather than forced. Recent episodes have featured Ekow Eshun discussing Toni Morrison and Wangechi Mutu, and curator Magda Keaney on Julia Margaret Cameron's radical approach to photography. There are also shorter audiobook teaser episodes tied to Katy's publications and monthly thematic shows that explore specific movements or eras. With 4.8 stars from over 500 ratings, the show has earned a devoted following among artists, art students, and anyone frustrated by how many brilliant women have been overlooked in traditional art narratives. The production quality is polished, the conversations feel unhurried, and you will absolutely come away from each episode with at least one artist you need to look up immediately.

Art Juice ran for six years and 262 episodes, building one of the warmest communities in the art podcasting world before wrapping up in mid-2025. Hosted by UK-based artists Louise Fletcher and Alice Sheridan, the show felt like sitting in a studio with two friends who happen to be thoughtful, experienced painters. They covered layering techniques, mixed media approaches, building email lists, open studio events, and the general emotional chaos of trying to make art while also paying bills. Episodes ran 40 to 65 minutes, long enough to get into real substance but never bloated. The duo format was the show's secret weapon. Louise and Alice had genuinely different perspectives -- different mediums, different business approaches, different creative temperaments -- so their conversations had natural tension and humor. They also brought on guests like muralist Daren Todd and cartoonist Annie Tempest for variety. Listeners consistently praised the show for being "genuinely helpful" without the polished, slightly hollow feel of more corporate art podcasts. The advice was practical and specific: which website platform to use, how to photograph your work, how to price commissions without undervaluing yourself. With 4.8 stars from over 700 ratings, Art Juice earned its reputation honestly. Even though production has ended, the back catalog remains a goldmine. If you are a working artist who wants practical advice delivered with real warmth and zero pretension, start anywhere in the archive and work your way through.

The BoldBrush Show sits at the intersection of fine art and business in a way that feels natural rather than forced. With 169 episodes, the podcast interviews working visual artists -- mostly painters -- about how they actually make a living from their work. Recent guests include landscape painters Stacey Peterson and Stephanie Marzella, plus art business coach Miriam Schulman. Episodes typically run 50 to 80 minutes, giving the conversations room to breathe. The show is produced by BoldBrush, which makes artist websites and marketing tools, so there is an inherent business angle. But it never feels like a long advertisement. The interviews genuinely dig into how artists handle rejection, build gallery relationships, use social media to connect with collectors, and transition from hobby to full-time career. There is a recurring theme of emotional connection in artwork -- how to create pieces that resonate with people, not just impress other painters. The host draws out personal stories about overcoming self-doubt and the specific moments when a career started to take off, which makes the show feel grounded in real experience rather than abstract advice. At 4.5 stars from 33 ratings, the audience is smaller but dedicated. If you paint and want to hear from artists who are actually selling work, showing in galleries, and navigating the business side without losing their creative soul, the BoldBrush Show delivers exactly that kind of honest, practical conversation.

Stan Prokopenko (the Proko guy whose anatomy tutorials have taught a generation of artists online) and Marshall Vandruff make a surprisingly great podcast duo. Draftsmen is 117 episodes of two art instructors talking seriously about drawing, painting, and image-making with the kind of depth you rarely get outside an atelier. The conversations range from technical fundamentals -- anatomy, perspective, color theory -- to bigger questions about AI in art, building long-term creative projects, and what it means to develop as a draftsperson over decades. Episodes run from 50 minutes to nearly two hours, and they do not rush. When Stan and Marshall bring on guests like Glenn Vilppu, Aaron Blaise, Steve Huston, or Karl Kopinski, the result is essentially a masterclass in conversation form. These are artists with serious credentials, and the discussions get specific enough to be genuinely educational. The show went on hiatus and came back in 2024, which fans celebrated loudly in the reviews. That return energy is palpable in the newer episodes -- both hosts sound reinvigorated and eager to dig into topics they had not covered before, like cinematic perspective and Marvel's storytelling methods. Rated 4.9 stars from 662 ratings, making it one of the highest-rated visual arts podcasts on the platform. If you care about the craft of drawing and painting at a foundational level and want to hear from people who have spent their lives teaching it, Draftsmen is essential listening.

Suggested Donation is what happens when two accomplished contemporary painters decide to explore the creative mind through long, unhurried conversations. Tony Curanaj and Edward Minoff are both serious representational painters, and their podcast draws guests from across the visual arts -- painters, craftspeople, curators, makeup effects artists, and restorers. The thread connecting it all is a shared fascination with what drives people to create and the common ground between seemingly different disciplines. With 79 episodes and a bimonthly release schedule, the pace is deliberate. Episodes regularly run 90 minutes to two hours, which gives the conversations space to wander into genuinely interesting territory. Recent guests include painter Travis Schlaht, artist Michael Grimaldi, and Oscar-nominated makeup effects artist Mike Marino -- that last one being a perfect example of how the show crosses disciplinary boundaries while staying rooted in visual craft. The rating tells you a lot: 4.9 stars from 265 reviews. That is an exceptionally loyal audience for a niche show. Tony and Edward bring a classical training perspective that you do not hear on most art podcasts, and they are genuinely curious about their guests rather than just running through standard interview questions. If you are drawn to representational painting, traditional craft, and the kind of deep artistic conversation that used to happen in studios and salons, Suggested Donation is doing something rare and doing it well. Just clear your schedule -- these episodes are long, and you will want to stay for the whole thing.

Eric Rhoads publishes PleinAir Magazine, and his podcast is the audio extension of that world -- 266 episodes of conversations with artists who paint outdoors. The focus is specific and unapologetic. If you care about plein air painting, this is the definitive podcast. If you do not, most of the content will still resonate because it covers universal painting concerns: composition, color mixing, dealing with changing light, marketing your work, and staying motivated through dry spells. Guests are the real strength here. Kyle Ma (2025 PleinAir Salon grand prize winner), James Gurney, Joe McGurl, and Kevin Macpherson have all sat down with Eric for interviews that run 60 to 90 minutes. Eric is a knowledgeable host who can hold his own in technical painting discussions, and he pushes his guests past surface-level answers. Many episodes include an "Art Marketing Minute" segment at the end where Eric fields listener questions about selling artwork and building visibility. It is a smart addition that keeps the show practical alongside the more inspirational interview content. Rated 4.5 stars from 221 reviews. The audience skews toward landscape painters and outdoor painting enthusiasts, but plenty of studio painters listen too for the technique discussions and artist interviews. The archive is enormous and well-organized by topic, so you can easily find episodes about specific mediums, techniques, or business challenges. Not flashy, not trendy -- just consistently solid conversations about painting.

Douglas Sigwarth is a glassblower. Will Armstrong works in mixed media. Together, they host a podcast that gives voice to the working visual artist -- specifically the kind who loads up a van and drives to art fairs across the country. The Independent Artist Podcast has 104 episodes focused squarely on the art show circuit, and there is nothing else quite like it. Guests are photographers, jewelers, printmakers, painters, and sculptors who make their living selling directly to the public at festivals and fairs. The conversations cover the Plaza Art Fair, Bayou City Art Festival, Memphis shows, and dozens of other events, with honest takes on what works and what does not. Episodes run 50 minutes to two hours, with most landing around 75 to 90 minutes. Douglas and Will have an easy rapport, and they create a space where artists talk openly about financial sustainability, recovering from setbacks (one episode covers bouncing back from a theft), and navigating the particular challenges of independent art sales. Recent episodes have also addressed heavier topics like political tension in the art world and making socially conscious work. Rated 4.9 stars from 95 reviews, which is remarkable for a monthly show covering such a specific niche. If you sell art at shows or have ever considered it, this podcast is an invaluable resource. Even if the fair circuit is not your thing, the discussions about resilience, pricing, and building a direct relationship with collectors apply to any working artist.

Art Grind has four hosts -- Dina Brodsky, Marshall Jones, Sophia Kayafas, and Tun Myaing -- and the rotating cast keeps things from ever feeling stale across 117 episodes. The premise is simple: talk to artists about what they actually do and how they survive doing it. But the execution goes deeper than most interview shows because the hosts themselves are working artists who ask the questions that matter. Recent guests include forensic artist Joe Mullins, art advisor Marina Press Granger talking about finances, TikTok artist Nicola Russell (who has 922,000 followers), portrait painter Konstantin Rudnichenko, author Bianca Bosker, and Bruce Dorfman, who has been teaching since 1964. That range -- from social media natives to painters with six decades of experience -- is what makes Art Grind special. Episodes run about an hour to an hour and a half, released twice a month. The conversations tackle subjects that other art podcasts tiptoe around: how much money artists actually make, the role of social media algorithms in building a career, and what the gallery system looks like from the inside. The four-host structure means different episodes have different energy depending on who is conducting the interview, which keeps the archive from blending together. Rated 4.6 stars from 163 reviews. It is not the most polished production in the world, but the content is consistently substantive and the guest list reads like a who's-who of contemporary visual art practice.

Peter Keegan is a portrait painter. Tom Shepherd works in watercolor. Together they host Ask An Artist, a UK-based podcast that has quietly built up 185 episodes of some of the most practical career advice you will find for working visual artists. Laura Boswell, a printmaker, co-hosted the first two seasons before stepping away. The format mixes duo discussions between Peter and Tom, listener Q&A sessions where they field real questions from their audience, and guest interviews with artists like Jo Scott, Sarah Jane Moon, and Claudia Kennaugh. Episodes run a focused 40 to 60 minutes, released fortnightly. What listeners consistently praise is the signal-to-noise ratio. As one reviewer put it, the show delivers "useful information and insights for working artists with far less of the fluff." They cover pricing strategies, gallery relationships, art licensing, building multiple income streams, exhibition planning, and social media -- all from the perspective of people who actually do this for a living. The tone is friendly but direct, very British in the best sense. They do not waste time on vague motivational talk. When they discuss building a body of work for an exhibition, they get into the specific timeline, the number of pieces needed, and how to approach galleries with a proposal. Rated 4.8 stars from 53 reviews. If you are a visual artist anywhere in the world who wants no-nonsense business guidance from working painters, Ask An Artist punches well above its modest profile.

The Professional Artist Podcast is a newer show from the Professional Artist Association, hosted by Miguel L. Mayher (Director of Education) and Cristina Demiany (Senior Art Business Coach). With 31 episodes so far on a biweekly schedule, it is still growing its archive, but the content is already sharp and focused. Each episode runs 20 to 35 minutes and features an interview with a working visual artist about specific business challenges: displaying and selling artwork, landing commissions, applying for grants, licensing creative work, and building collector relationships without traditional gallery representation. The shorter episode length is actually a strength here. Where some art business podcasts meander through 90 minutes to make one useful point, Miguel and Cristina keep things tight and actionable. Recent episodes have covered gallery ownership from the inside, funding public art projects, transitioning from a day job to full-time art, and online sales strategies that actually work. The guests are painters, sculptors, and fine art photographers who share real numbers and real experiences rather than vague success stories. The Professional Artist Association backing gives the show access to a network of working artists who might not appear on other podcasts. Rated a perfect 5.0 stars from 23 reviews -- a small but enthusiastic audience. If you are a visual artist trying to build a sustainable professional practice and want concentrated, practical business education in manageable doses, this show delivers more value per minute than most of its competitors.

The Clark Hulings Foundation exists for one purpose: turning working artists into thriving ones. Their podcast, hosted by Daniel DiGriz with Elizabeth Hulings as Executive Director, puts that mission into audio form. Over 90 episodes released bimonthly, the show interviews artists, collectors, business specialists, and industry experts about the concrete steps needed to build a sustainable creative career. The guest list tells you a lot about the show's ambition. Ashley Longshore (pop art entrepreneur), Melissa Whitaker (commercial illustrator), Carolyn Edlund (sales strategy expert), and Noah Scalin (sculptor turned corporate consultant) have all appeared. Episodes cover copyright protection, online sales, building a virtual career, and the kind of strategic business planning that most art schools never teach. At 35 to 60 minutes per episode, the conversations are substantive without overstaying their welcome. The Foundation's non-profit perspective gives the show a different flavor from podcasts backed by commercial platforms or individual coaches. There is no product to sell, just practical training and honest conversation about what it takes to make art your profession. The show directly challenges the "starving artist" stereotype with real examples and real strategies. Rated 4.0 stars from 60 reviews -- the audience could be larger given the quality, honestly. If you are a visual artist who takes the business side seriously and wants guidance from an organization that has actually invested in artist development for years, The Thriving Artist is a smart addition to your rotation.