The 12 Best Videographers Podcasts (2026)

Kyle Loftus built a six-figure video production company before he turned thirty, and he brings that same no-nonsense energy to Learn Videography alongside co-host Brendan Hsu. The show covers everything from picking up your first camera to landing corporate clients who actually pay well, and the two hosts are refreshingly honest about the mistakes they made along the way. Each week they sit down with working filmmakers and entrepreneurs — people like Matt Giesow and Tommy Roark — and pull apart the specific moves that helped them scale. One episode might break down how to price a wedding film package so you stop undercharging, while the next tackles imposter syndrome head-on with real talk about showing up before you feel ready. Now in its fourth season with over 80 episodes, the podcast has earned a #1 ranking on Apple Podcasts in the videography category, and it is easy to hear why. Loftus has a direct, mentor-like delivery that cuts through fluff, and Hsu balances him out with thoughtful follow-up questions. The production quality is clean without being overproduced. If you are building a video business and want practical advice from people who actually run one, this is the show to start with. Episodes tend to run 30 to 60 minutes, long enough to get into substance without eating your whole afternoon.

Running strong since 2014 with over 410 episodes, The Cinematography Podcast has quietly become one of the most respected shows about the art of the moving image. The hosts sit down with working directors of photography, colorists, and filmmakers to talk about how specific shots and sequences actually came together. Recent episodes feature conversations with Roger Deakins' frequent collaborator James Slattery about color grading on 1917, and cinematographer Sean Bobbitt discussing the camera innovations behind 28 Years Later. What makes this show stand out is the specificity. Instead of vague inspiration, you get detailed breakdowns of lighting setups, lens choices, and the creative reasoning behind shooting in a particular aspect ratio. The episode with DP Adolpho Veloso about achieving naturalistic lighting on Train Dreams is a masterclass in practical technique. With a 4.7-star rating from 119 reviews, the audience clearly appreciates the depth. Episodes arrive weekly and typically run about an hour, which gives guests enough room to really unpack their process. The show also covers gothic aesthetics, documentary approaches, and big-budget LED volume work with equal enthusiasm. It works for both aspiring cinematographers studying the craft and working professionals who want to hear how their peers solve problems on set. The tone stays grounded and curious throughout, never drifting into pretentious territory.

Patrick O'Sullivan created The Wandering DP as a resource for emerging cinematographers, and over 500 episodes later it has grown into the go-to community for DPs at every stage of their career. O'Sullivan is a working director of photography himself — and a self-described Leica M enthusiast — so the conversations carry the weight of someone who actually stands behind the camera for a living. The show regularly features cinematographers who have shot everything from indie features to major studio releases, and the discussions get genuinely technical without becoming inaccessible. You will hear candid talk about negotiating rates, building a reel that actually books work, and the mental side of sustaining a creative career over decades. The "Life Off Set" series with Jon Bregel is a particularly nice touch, exploring what shapes a DP's creative voice beyond the job itself. Recent guests include the cinematographer behind Happy Gilmore 2, which gives you a sense of the caliber of professionals who show up here. With a 4.9-star rating from 339 reviews, this is one of the highest-rated cinematography podcasts available. Episodes run roughly an hour and release regularly. O'Sullivan has a relaxed interviewing style that lets guests open up about both their successes and the projects that didn't go as planned. It is an honest, craft-focused show that respects its audience's intelligence.

Alex Ferrari started Indie Film Hustle back in 2015 with a simple premise: independent filmmakers deserve real, unfiltered advice about how the business actually works. Nearly a thousand episodes later, the show has featured three-time Oscar winner Oliver Stone, Men in Black director Barry Sonnenfeld, and Avatar cinematographer Russell Carpenter, among many others. The focus sits squarely on the intersection of creative filmmaking and business survival — how to get your film financed, distributed, and in front of audiences without a studio backing you. Episodes cover everything from color grading workflows and post-production pipelines to the harsh economics of self-distribution. Ferrari's own experience making indie features gives the show credibility, and he asks the kind of blunt questions that most interviewers avoid. More recently, guest hosts like Dave Bullis have stepped in to lead conversations, which has shifted the dynamic a bit. Long-time listeners have noted this change, and some miss Ferrari's particular energy at the mic. The show also runs more ads than it used to. That said, with a 4.7-star rating from 299 reviews and an archive stretching back over a decade, the depth of knowledge in this back catalog is enormous. If you are a videographer who wants to understand the bigger picture of how films get made, funded, and sold, there are hundreds of hours of genuinely useful material here. Episodes typically run 45 minutes to two hours.

No Film School has been the internet's film education hub for years, and their podcast is the audio extension of that mission. Hosted primarily by GG Hawkins with contributors like Charles Haine and site founder Ryan Koo, the show covers cameras, lighting rigs, editing software, and the career moves that actually land people jobs in film and TV. With over 920 episodes and a 4.5-star rating from more than 400 reviews, it has built one of the largest audiences in the filmmaking podcast space. The format mixes interviews with working professionals — directors, cinematographers, producers, editors — and roundtable discussions where the hosts break down industry news. A recent episode featured a producer from the film Send Help walking through her studio filmmaking playbook, while another gathered four Sundance short film directors for a live conversation about storytelling across different cultures. The show also covers practical topics like how to write romance scripts that actually sell and strategies for getting into SXSW. What keeps videographers coming back is the show's commitment to accessibility. The hosts assume you are smart but might not have gone to film school, so they explain technical concepts without being condescending. Episodes release biweekly and usually run 30 to 90 minutes depending on the format. The production quality is consistently solid. If you want a single podcast that keeps you current on tools, techniques, and career opportunities across the entire production pipeline, this is hard to beat.

Joshua Milligan runs Rustic River Media and hosts The Filming with Josh Podcast with the tagline "the videographers' home for tips, tricks and how to make flicks." That pretty much nails it. This is a show made by a working videographer for other working videographers, and the conversations stay grounded in the day-to-day realities of running a video production business. Milligan talks openly about his own pricing overhauls, the new clauses he adds to client contracts, and why he bought a dedicated production truck to differentiate his company. With 113 episodes and a perfect 5.0-star rating from 21 reviews, the show has built a loyal following among solo videographers and small production teams. The topics get refreshingly specific — one episode builds a case against image stabilization, arguing for more organic handheld footage, while another breaks down seven contract terms every videographer should add to protect themselves. Milligan also isn't afraid to talk about the state of the industry honestly, covering how budgets are shrinking, client expectations are shifting, and where AI fits into video production. The show releases on a somewhat irregular schedule (there was a year-long hiatus before the most recent return), but the episodes that do drop are packed with usable advice. Most run 35 to 55 minutes. If you are a freelance videographer trying to figure out the business side — pricing, contracts, client management, gear decisions — this is one of the most directly relevant shows out there.

Directors Matt Enlow and Oren Kaplan have been running Just Shoot It since 2015, and after 505 episodes they have spoken with an extraordinary range of filmmakers — from first-time directors to people helming features with major studio talent. The show's name captures its philosophy perfectly: stop overthinking and go make something. Each week they interview directors, screenwriters, editors, cinematographers, and actors, pulling apart the practical steps that took someone from idea to finished project. Recent conversations include Natasha Kermani on casting Sophie Turner for The Dreadful and shooting the entire film in 18 days, and the Kinnane brothers on making the jump from YouTube content to directing Kevin James in a feature. The hosts also tackle bigger-picture industry topics like whether film festivals still matter, how AI is changing production workflows, and what actually separates a good producer from a glorified production coordinator. With a 4.8-star rating from 256 reviews, the audience clearly responds to the show's encouraging but realistic tone. Enlow and Kaplan are working directors themselves, so they understand both the creative ambitions and the logistical headaches that come with getting a project off the ground. Episodes run about an hour and arrive weekly. The show works particularly well for videographers who are looking to move into narrative work or want to understand the directing side of production beyond just operating a camera.

Roger Deakins is arguably the greatest living cinematographer — the man behind the camera on Blade Runner 2049, 1917, No Country for Old Men, The Shawshank Redemption, and so many others. Together with his collaborator James Deakins, he hosts Team Deakins as an ongoing, deeply personal conversation about cinematography, filmmaking, and the creative life. The show has 344 episodes and a stunning 4.9-star rating from over 1,100 reviews, making it one of the most beloved film podcasts anywhere. What makes it special is the access. Because Roger is a peer, his guests speak with a candor you rarely hear in press interviews. Production designer Jack Fisk talks about working with David Lynch on Mulholland Drive. Composer Nicholas Britell explains how scores function inside a film using examples from Moonlight and Don't Look Up. Colorist James Slattery walks through the grading process on 1917 in detail that would normally stay locked behind closed doors. The conversations are long, unhurried, and frequently surprising — Roger might ask about a guest's childhood influences or their relationship with failure, and the answers tend to be remarkably honest. For videographers, the value is both practical and philosophical. You will pick up specific techniques about lighting, camera movement, and lens selection, but you will also absorb a way of thinking about images that goes beyond any single project. Episodes run 45 minutes to well over an hour.

Taylor Petrinovich and Kelley Gilster bring over 22 years of combined experience to LEVEL UP, and their focus is squarely on one thing: helping wedding photographers and videographers charge more by positioning themselves in the luxury market. The show has 248 episodes and a 4.9-star rating from 85 reviews, which tells you the audience finds real value here. The hosts are direct and opinionated about business strategy. They challenge common assumptions — like the idea that being fully booked equals success — and push listeners to think about intentional growth over volume. One episode argues that most videographers play too small, while another makes the case that the community you surround yourself with directly affects your pricing confidence. The format is usually the two hosts talking through a topic together, though they also bring on guests from the wedding industry. The energy is upbeat without being performative, and they share specific numbers and strategies rather than generic motivation. If your video work includes weddings or events, this podcast speaks directly to the business challenges you face: how to 2-3x your prices, how to attract luxury clients, and how to stop competing on volume. Even if weddings aren't your primary focus, the marketing and positioning lessons translate well to corporate and commercial videography. Episodes release weekly and run about 30 to 45 minutes.

Shayna Lloyd built Hybrid Hangout specifically for creatives who do both photography and videography — the hybrid shooters who toggle between stills and motion on the same job. With 135 episodes and a perfect 5.0-star rating from 13 reviews, the show has carved out a niche that most other podcasts miss entirely. Lloyd is honest about the challenges of running a creative business without burning out, and that anti-hustle-culture thread runs through the whole show. Episodes cover shooting systems that let you capture both photo and video efficiently, editing workflows that save hours, and pricing strategies that reflect the value of offering both services. The recent departure of business partner Devin marked a turning point for the show, and Lloyd has leaned into a more personal, solo-hosted format since then. She talks openly about perfectionism, imposter syndrome, and the messy process of taking action before you feel fully ready. Guest interviews bring in perspectives on topics like diversity in the vendor industry and building sustainable businesses as a creative entrepreneur. The podcast recently relaunched with a fresh trailer and new branding, signaling a renewed commitment to the hybrid community. If you are a photographer adding video to your offerings — or a videographer who also shoots stills — this is one of the few shows that speaks directly to that dual identity. Episodes run 20 to 45 minutes and release weekly.

Host Scott Wyden Kivowitz has an unusual backstory for a workflow podcast host — he is both dyslexic and color blind, which forced him to develop systematic approaches to creative work that most people take for granted. That personal experience informs every episode of Photography & Videography Workflows, a show produced by Imagen that helps visual creators optimize how they run their businesses. With 78 episodes and a 5.0-star rating from 72 reviews, the audience response has been overwhelmingly positive. The format brings on working photographers and videographers to break down exactly how they manage their operations — from file organization and backup systems (one guest manages 36 terabytes of photos) to client communication and AI-assisted editing. Recent episodes feature conversations about balancing multiple photography businesses with family life, staying present during client sessions, and using creative personal projects to fuel commercial growth. Kivowitz also leads the Imagen Community on Facebook, so he has a real pulse on the problems creators face daily. The show sits at the intersection of creativity and efficiency. It is not about gear lust or artistic theory — it is about the nuts and bolts of getting work done faster without sacrificing quality. If you spend too many hours on file management, invoicing, or post-production and know there must be a better way, this podcast probably has an episode addressing exactly that. Episodes run 30 to 50 minutes and release regularly.

Grant Burks runs Optiko Productions out of Columbus, Ohio and wrote the book Film to Freedom about transitioning from a day job to full-time videography. His podcast, Videography University, distills that same journey into focused, practical episodes aimed at videographers who want to book higher-paying clients. The show is still young — just eight episodes so far — but each one tackles a specific business question with the kind of detail that usually costs money. One episode breaks down whether you should ask clients about their budget upfront (spoiler: it depends, and Burks walks through exactly when and how). Another covers the five software tools he considers essential for running a video business, including QuickBooks, Calendly, and HoneyBook. His episode on going full-time is particularly valuable, laying out the financial benchmarks and safety nets he put in place before making the leap. Burks also has an interesting take on free work — he is not against it, but only under three strict conditions: you control the terms, you get a testimonial, and you retain marketing rights. The interviews feature other videographers who have built six-figure businesses, and the conversations focus on sales strategies rather than gear specs. The show's limited catalog means you can catch up in a single afternoon, which is actually a plus for busy professionals. Each episode runs 20 to 40 minutes. If you are specifically focused on the business side of videography and want actionable advice from someone who recently went through the full-time transition himself, this is worth your time.