You'll Hear It

Jazz pianists Peter Martin and Adam Maness have been at this for over 1,200 episodes now, which tells you something about how much ground there is to cover when two musicians genuinely love picking apart what makes great music tick. The format works because Peter and Adam bring real performing chops to the table -- these are working musicians who can sit down at the piano mid-conversation and demonstrate exactly what they're talking about. You get live breakdowns of chord voicings, explanations of why a particular solo hits differently on the fifth listen, and the kind of insider perspective that only comes from people who've spent decades on bandstands. The show started with a tighter jazz focus but has broadened over the years to include deep album analyses of Steely Dan, Stevie Wonder, and other artists where the jazz DNA runs deep even if it's not strictly a jazz record. Their track-by-track album breakdowns are genuinely addictive -- they'll spend an hour and a half pulling apart a single record, pointing out production details and harmonic choices that completely change how you hear it afterward. Episodes drop weekly and tend to run long, which is a feature, not a bug, if you're the kind of listener who wants substance over sound bites. With a 4.9-star rating across nearly 600 reviews, the audience clearly appreciates the blend of technical knowledge and genuine enthusiasm. Peter and Adam have a natural rapport that keeps things from ever feeling like a lecture. It's more like overhearing two sharp friends argue about music over coffee, except both of them can actually play.